Dancing in the Shadows

Like most people of my generation, I spent my early teen years loving The Beatles. Like many, I also embraced the grittier Rolling Stones. Like some, I discovered and identified with Bob Dylan, but that was later in my teens and only after Dylan was electrified and backed by a remarkable band called—well—The Band.
The Band comprised a group of five highly accomplished musicians, four of them Canadian and one from Arkansas. They are mostly known these days for the songs of their lead writer and guitarist, Robbie Robertson—among them: The Weight, The Night They Drove of Dixie Down and Up on Cripple Creek. Theirs was a fusion of rock ‘n roll and roots. Nobody did it better then or have been eclipsed since. Sadly, all but two of the group—Robertson and keyboardist Garth Hudson—are dead now. Dylan lives on—kind of.
Hudson toured New Zealand recently, along with The Band’s producer John Simon. I attended the Auckland concert, promoted as the 40th celebration of The Band’s legendary last concert (with Robertson) The Last Waltz. The Aotea Centre wasn’t full, a last minute change from the original and smaller Civic saw to that. But, there were enough Band devotees there to provide the atmosphere and they were articulate, wise, and expectant.
You see, none of us were there for the music. We had heard it all, many times. All of us had watched The Last Waltz so often we knew every nuance (yes, Clapton did break his guitar strap and, yes, that is cocaine up Neil Young’s nose) and every lyric line. No matter how accomplished the (mainly) New Zealand musicians were, and they were, we were not there for the music. We were there for the man. We were there to see Hudson. To be simply in the same room.
Hudson did perform, beautifully and brilliantly. But in the end that was a bonus. If Hudson had simply shuffled onto the stage, it would likely have been enough. It was enough for him—for us—to be there. It would not happen again. Soon, sadly, there will be of the original Band only Robertson.  And that is little more than a sad sour, slightly bitter, aftertaste.
Bill English is not that. Bill English will do well. I doubt he will be great. He has greatness thrust upon him, but it is not a mantle that fits and will soon be consigned to a plastic dry-cleaning bag in a back wardrobe. Instead, Bill English will do his best in his quiet, mannered manner. He knows he will live in the perpetual shadow of his predecessor, and he knows there is little he can do about that. It is enough, I think he thinks, to be given a second chance, and this time against a comparatively weak opposition. He will take that chance.
English will never be another John Key. He accepts that. We should too. There will also never be another Band. We Band fans know that too.  John Key left us with Bill English. The Band left us with Ronnie Robertson. We now dance among the shadows where there was once so much light…so much light.

Waltz With Me

Today we note the death of legendary singer-drummer Levon Helm. He died in his adopted state of New York, aged 71, after a decade-long battle with throat cancer.
Levon Helm is little known these days and even in his hey-day few outside of a hard-core group of fans knew him, but they knew his band—The Band.
Levon Helm was the group’s drummer and founding member. The Band started as The Hawks backing the hard-drinking-hard-living Rockabilly artist Ronnie Hawkins. Ronnie is purported to have promised Levon and the other Hawks—Robbie Robertson (yes, him), Garth Hudson, Rick Danko and Richard Manuel—no money but “all the pussy you can eat.”
But it was not with Ronnie that they found their fame or even their infamy. It was with Dylan. They became Bob Dylan’s backing band when he went electric. Like him, they were the target of a sustained and vitriolic campaign by aggrieved folkies. Dylan didn’t care. Levon didn’t care. The Band didn’t care. They didn’t even have a name to that point, and wouldn’t have one until they launched their first album, the magnificent Music From Big Pink where Levon and the others were listed in the liner notes under the prosaic heading The Band. The name stuck. At least it did until The Band dissolved in a bitter battle between Levon and Robbie. Their swan song was the live concert movie The Last Waltz—generally believed to be the best movie of its type.
Levon was the only American in The Band. He came from Arkansas; the others were Canadians. He had every appearance of a hokey hillbilly, and probably that influenced the distinctive folk-rock sound of The Band, though it was Robbie Robertson who wrote most of The Band’s Songs, such The Night They Drove Old Dixie Down and The Weight. Levon did lead vocals on most of them, one of the few drummers to take the lead—Phil Collins of Genesis was another.
The Band has always been my favourite group—I narrowly missed (by one week) seeing them when they toured Australia. That was post-Robbie and they were shadows of their former selves. But Levon was there, Garth was there, Rick (my favourite) was there and Richard was yet to hang himself—that would happen a month later. Only Garth and Robbie survive today.
So Levon is gone. And with him that ten-year cancer battle. There is mercy in that, I suppose. But for those of us with long memories, those of us who know the tragedy of the barely coherent Garth Hudson and the show-pony antics of the much despised Robbie Robertson we know that with Levon’s passing passed The Band.
This was our Last Waltz.



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